1952
In April, he leaves Lintas. He returns to Waldemar da Costa’s studio and takes up painting again. On this occasion he meets artists Amelia Toledo and Rachel Correia Vaz de Arruda, and reestablishes his friendship with Lothar Charoux.
He paints Mulher Sentada, his last figurative work, in dialogue with nearly cubist structures.
Until 1956 he keeps busy with the planning and execution of advertising campaigns for retail stores, including Sensação Modas.