1996
He finishes a series of twelve lithographs, three of which are Now Sun, Now Tree and From Issa, in coauthorship with Décio Pignatari.
Participates in various group shows: Tendências Construtivas, no Acervo do MAC-USP, Construção, Medida e Proporção, at centro cultural Banco do Brasil do Rio de Janeiro (CCBB-RJ); I Off Bienal, at the Museu Brasileiro da Escultura (MUBE), in São Paulo; Arte Brasileira: 50 Anos de História no Acervo MAC-USP: 1920-1970; and in the exhibition O Mundo de Mario Schenberg, at Casa das Rosas (SP).
Participates in the event in honor of the 40th anniversary of the concretist movement, Desexp(I)os(ign)ição.
1995
He takes part in the group show Projeto Contato (Galeria Sesc Paulista) and has a solo show at Galeria São Paulo.
Executes nine lithographs at the Glatt/Imagos studio, called Corluz.
1994
He participates in the Bienal Brasil Século XX (Fundação Bienal de São Paulo).
1993
He receives a prize at the Panorama da Arte Atual Brasileira – Pintura (MAM-SP), for the work Corluz 1989.
Gives an art course at MAC-USP, in Ibirapuera Park.
Participates in the video Fiaminghi, which is part of the Encontros e Caminhos da Abstração series, produced by Itaú Cultural.
Executes the series of desretratos [unportraits] for the book Isabella, authored by M. A. Amaral Rezende, published by Editora Com-Arte.
1992
The book A génese da pintura, by Isabella Cabral and M. A. Amaral Rezende, is reteased
together with the exhibition of the work Corluz 91160 (Masp).
He is honored with the master’s dissertation Fiaminghi ou a concreção sensória, by Vitória Daniela Bousso, and with the making of the video Fiaminghi, by Instituto Cultural Itaú, in the Encontro com o Artista series.
The Municipal Secretary of Culture of São José dos Campos (SP) honors the artist by holding the exhibition Ateliê Livre: 23 Anos Depois, which is also presented at MAM-SP.
He executes the lithograph Artigo XXII dos Direitos Humanos and participates in the exhibition Cidadana 200 Anos da Declaração dos Direitos Humanos, at Sesc Pomeía (SP).
In São Paulo he participates in the shows Perspectivas & Polaridades II, at Paço das Artes (SP); and Construtivismo: Arte Cartaz 40/50/60, at MAC-USP and, in Rio de Janeiro, in the show A caminho de Niterói: coleção João Sattamini, at the Paço Imperial.
1991
He begins the project for recording the genesis of the canvas Corluz 91160 and, in October, Projeto Corluz 150, proposed by Isabella Cabral, for which he produces twenty canvases.
1990
He holds the solo show Fiaminghi Corluz, at Galeria Montesanti Roesler (SP).
He participates in the group show Prêmio Brasília de Artes Plásticas (MAB-DF), as well as the IX Exposição Brasil-Japão de Arte Contemporânea, held in Brazil at Fundação Brasil-Japão (SP), at Museu Nacional de Belas Artes (RJ) and the Salão do Congresso Nacional de Brasília, and, in Japan, at Centro Museum of Tokio, at Atami-MOA BCM, and the Saporo Museum.
1988
He holds the solo show Hermelindo Fiaminghi: Pintura, at Galleria Montensanti Roesler (SP and RJ); another at Galeria do Sol, in São José dos Campos (SP); and takes part in the group show Artistas Italianos e Descendentes no Brasil, at Banco Sudameris (SP).
1987
He participates in the group shows A Trama do Gosto: Um Outro olhar sobre o Cotidiano (Fundação Bienal de Sao Paulo); I Abstração Geométrica: Concretismo e Neoconcretismo, held at Funarte (RJ), at Centro de Artes (RJ) and at the Museu de Arte Brasileira Faap (MAB), in São Paulo; Paulistas em Brasília, at the Museu de Arte de Brasília (MAB); and the international show 13th Art Exhibition, Embraer (Canada).
Goes back to using oil paint, sometime together with tempera.
1986
In a solo show, at the Galeria de Arte São Paulo, he shows Desretratos e Despaisagens from the Corluz series.
He takes part in various group shows: Sete Décadas da Presença Italiana na Arte Brasileira and the Mostra Christian Dior de Arte Contemporânea, both at the Paço Imperial (RJ); Mostra da Coleção do Museu de Arte de São Paulo (Masp); the exhibition Volpi Permanência e Matriz: 7 Artistas de São Paulo, at Galeria Montesanti Roesler (SP); and Panorama da Arte Atual Brasileira – Pintura, at MAM-SP.